Marylebone, raised to a quieter art.
Eighteen residences behind a Portland stone facade — from jewel-box studios to a full-floor penthouse — with a twenty-metre pool, a private dining room and a concierge who keeps impossible hours.
A building that withholds, then rewards.
Vermeil takes its name from gilded silver — the precious thing beneath the shine. The facade is Portland stone, pared back to proportion and shadow. Inside, bronze, oak and marble do the talking, at a volume the street never hears.
Designed by Studio Marlowe with interiors by Atelier Fenn, the building replaces a 1960s office block with fourteen storeys of considered quiet. Every residence is dual- or corner-aspect; every corridor is daylit; nothing on the ground floor is for sale, so the address stays residential to its bones.
Amenities sit below and above the residences — a pool hall, a spa, a dining room, a residents' lounge — so the building works like a small, discreet club that happens to contain your home.
Ashcombe & Vane · Est. 1987, London
Eighteen residences. None repeated.
Studios from £895,000 to a full-floor penthouse by private appointment. Filter by type, availability, price or floor — or tap a storey of the building itself.
Nothing at this height.
No residences match that combination — loosen a filter or two and the collection reappears.
A club that happens to contain your home.
Marylebone does not need an introduction.
A village that refused to become a district. Georgian terraces, a high street that still has a butcher, and the best concentration of quiet culture in Zone 1 — all within an eight-minute radius of your front door.
Measured on foot from the residents' entrance on Portland Place. The Elizabeth line at Bond Street puts Heathrow at thirty-one minutes, door to door.
Seen enough? Come and stand in it.
The sales suite is open by appointment, seven days a week, with evening viewings on Thursdays. We show a maximum of three residences per visit — enough to understand the building, few enough to remember it.
